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By Deianira Tolema (2016) — Italian art writer, featured in HuffPost. Her published work has appeared in Whitehot Magazine of Contemporary Art, Gagosian Gallery, Hi-Fructose, and Juxtapoz. In this essay, Tolema situates Joset Medina’s art within a context of transformation and rebirth — exploring how his paintings act as meditations on renewal, emotional depth, and the beauty that emerges from change.
By Victor Matos (1999)
La Nación (Táchira, Venezuela) - At 16, his first regional feature in La Nación described Medina as a self-taught, disciplined young artist whose drawings — “works he continued to perfect” — already revealed firmness in line and clarity of vision, refined through daily study and practice. The article concluded that the results of his perseverance would soon become visible.